The alchemy of sound has always held me captive. From the delicate capture of foley, transforming the mundane into the extraordinary, to sculpting sonic narratives for film and games, I've chased the echoes of imagination. My time at Edinburgh University wasn't just a study in engineering; it was a deep dive into the very essence of auditory perception, where gain staging and reverb became tools for painting with sound. Game audio, in particular, became a conduit for conjuring worlds unseen, where the rustle of digital leaves and the thrum of imagined engines wove tapestries of experience. I'm driven by the pursuit of sonic innovation, a constant exploration of how sound can reshape reality and ignite the senses, building immersive landscapes that resonate long after the final note fades